{"id":17237,"date":"2023-12-12T12:12:54","date_gmt":"2023-12-12T11:12:54","guid":{"rendered":"https:\/\/www.janinebeangallery.com\/en\/?page_id=17237"},"modified":"2026-07-21T15:05:56","modified_gmt":"2026-07-21T14:05:56","slug":"nick-zinner","status":"publish","type":"page","link":"https:\/\/www.janinebeangallery.com\/en\/?page_id=17237","title":{"rendered":"Nick Zinner"},"content":{"rendered":"\n
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Nick Zinner \u2013 Berlin, 2004 | signed Fine Art Edition |<\/a><\/div>\n<\/div>\n\n\n\n

Lives and works: Los Angeles and New York City, USA<\/p>\n\n\n\n

Media: Photography<\/p>\n\n\n\n

Education: Photography at Bard College; further studies in Lacoste, France<\/p>\n\n\n\n

Additional Practice: Musician with Yeah Yeah Yeahs and other projects<\/p>\n\n\n\n

Artistic Position<\/strong><\/p>\n\n\n\n

Nick Zinner\u2019s photography explores intimacy and distance, collective energy and personal isolation. In the series Crowds, the camera shifts attention from the stage to the audience. The crowd is presented not merely as spectacle but as a psychological space shaped by glances, anticipation and shared movement.<\/p>\n\n\n\n

His series Slept in Beds forms a counterpoint, documenting hotel rooms and beds encountered during international tours. Together, both bodies of work reflect the extremes of life on the road. Zinner deliberately withdraws his own presence, allowing viewers to project their own memories and associations onto the images.<\/p>\n\n\n\n

Selected Highlights<\/strong><\/p>\n\n\n\n