In “Figuring Out,” Max Giermann presents a form of painting defined by process. Overpainting and open contours make identity tangible as a fluid state. Nick Zinner \u201eCrowds\u201c<\/strong><\/p>\n\n\n\n “Crowds” brings together analog photographs from 2003 and 2004, taken from the stage during the song “Maps.” The images preserve the immediate energy of a concert culture from the pre-smartphone era. <\/p>\n\n\n\n 2025<\/p>\n\n\n\n \u201eDreams of the Seen and Unseen\u201c<\/strong><\/p>\n\n\n\n Marie Louise Elshout\u2019s finely drawn, mythical imagery enters into an intense dialogue with James Johnston\u2019s expressive painting. The visible and the hidden, dream and reality, as well as humanity and nature, coalesce into a multi-layered realm between worlds. Andrea Damp \u201eCall of the Void\u201c<\/strong><\/p>\n\n\n\n Andrea Damp combines free painterly gestures with precisely composed, multilayered pictorial spaces. Monumental compositions and small-scale works in historical frames open up a field of tension between memory, order, and the enigmatic call from the void. Peter Doherty \u201eFelt Better Alive\u201c<\/strong><\/p>\n\n\n\n In Felt Better Alive<\/em>, objects, installations and paintings enter into a close dialogue with Peter Doherty\u2019s solo album of the same name. Visual art and music intertwine to form a poetic web of memories, symbols and cross-references. <\/p>\n\n\n\n 2024<\/p>\n\n\n\n <\/p>\n\n\n\n \u201eMemento Abstract\u201c<\/strong><\/p>\n\n\n\n \u201cMemento Abstract\u201d brings together four artistic positions that understand abstraction as a repository of memory, atmosphere, and experience. Painting and ceramics move between landscape, urban geometry, rhythmic colour, and playfully charged found objects.<\/p>\n\n\n\n \u201eSeasoned Summer\u201c<\/strong><\/p>\n\n\n\n Four distinctly different artistic approaches reveal the breadth of contemporary painting: quiet landscapes and interiors, enigmatic worlds of symbols, dreamlike fields of colour, and dramatic figurative scenes. Seasoned Summer<\/em> brings together atmosphere, wit, and existential depth. Jose Girl und Nick Zinner<\/strong><\/p>\n\n\n\n Under the \u201cAura of Rock \u2019n\u2019 Roll,\u201d Jose Girl\u2019s portraits of musicians and free spirits meet Nick Zinner\u2019s photographic archive of slept-in hotel beds. The exhibition explores music, life on the road, memory, and transience. MASCH \u201eThe Past is Now\u201c und Armando Mari\u00f1o \u201eFace to Face\u201c<\/strong><\/p>\n\n\n\n MASCH\u2019s interwoven figures and forms bring the present and memory together in a magical visual flow. Armando Mari\u00f1o\u2019s confrontational paintings draw on art history and media imagery with a sense of irony, questioning power, origin and cultural identity. <\/p>\n\n\n\n 2023<\/p>\n\n\n\n Maxwell Dunlop \u201eParadox Reality\u201c<\/strong><\/p>\n\n\n\n Maxwell Dunlop\u2019s deserted halls and timeless landscapes appear both familiar and unreal. Paradox Reality<\/em> turns the painting itself into an enigma, poised between material surface, remembered architecture, and the illusion of an external reality. \u201eGhosts of Color\u201c<\/strong><\/p>\n\n\n\n Abstract and figurative painting meet photography, digital imagery and personal memory. Despite their very different materials and perspectives, the five artistic positions are united by an intense engagement with colour, contrast and fluid transitions between reality and imagination. Andrea Damp \u201eMenagerie\u201c<\/strong><\/p>\n\n\n\n Andrea Damp\u2019s landscapes emerge from colour, texture and light, moving between a Romantic experience of nature and abstraction. In the darker portraits, humans and animals enter into an enigmatic dialogue whose meaning is deliberately left open. Jose Girl \u201eTenebris Somniorum\u201c<\/strong><\/p>\n\n\n\n Jose Girl translates recurring dream experiences into darkly luminous photographs. Stark contrasts and softly merging shadows draw the viewer into a visual world where memory, the subconscious, and staged reality flow into one another. Arny Schmit \u201eI\u2019ll be back soon\u201c<\/strong><\/p>\n\n\n\n Arny Schmit\u2019s wild, largely monochromatic landscapes move between reality and abstraction. Integrated LED lights create artificial counterpoints to the encroaching natural world, making the conflict between civilisation, transience and renewal spatially tangible. 2022<\/p>\n\n\n\n Martin Stommel \u201eOn Deliverance\u201c und Guido Schulz \u201eL\u00e4rm der Zeit\u201c<\/strong><\/p>\n\n\n\n Martin Stommel\u2019s expressive figurative paintings search for a tenable human position amid the turbulence of the world. In damaged places, nocturnal metropolises and fading memories, Guido Schulz discovers a melancholic and at times humorous beauty. Beate H\u00f6ing und Florian Fausch \u201eIt\u2019s a Match\u201c<\/strong><\/p>\n\n\n\n Florian Fausch\u2019s luminous architectural landscapes meet Beate H\u00f6ing\u2019s ceramic figures and unexpected found objects. Abstract pictorial spaces, fairy tales, memories, and familiar objects come together in a multifaceted interplay between reality and fiction. Maxwell Dunlop \u201eEcho\u201c und Petra Rintelen \u201eWunderliche Entdeckung\u201c<\/strong><\/p>\n\n\n\n Maxwell Dunlop\u2019s deserted interiors and expansive landscapes emerge from memories and inner images, whose lingering resonance shapes the title Echo<\/em>. Petra Rintelen\u2019s paintings and still lifes capture moments suspended between movement and stillness, in which familiar objects reveal tenderness, strength, and emotional depth. <\/p>\n\n\n\n 2021<\/p>\n\n\n\n Rogelio Manzo \u201eCorporeal and Incorporeal Structures\u201c<\/strong><\/p>\n\n\n\n Rogelio Manzo\u2019s portraits move beyond the mere representation of outward likeness, revealing the fragility of life. Across richly layered surfaces of paint, silk, and other textiles, light and darkness, elegance and decay, beauty and the grotesque are held in a compelling and finely balanced tension. Orion Shima und Martin Stommel \u201eMoonlight at Noon\u201c<\/strong><\/p>\n\n\n\n In Moonlight at Noon<\/em>, two distinct cultural perspectives on figurative painting come together. Orion Shima and Martin Stommel explore archetypal motifs within their individual pictorial worlds, creating a dialogue that reveals their differences while highlighting the power of painting to resonate across cultures. <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n
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