{"id":10081,"date":"2017-09-27T11:35:37","date_gmt":"2017-09-27T10:35:37","guid":{"rendered":"http:\/\/www.janinebeangallery.com\/en\/?page_id=10081"},"modified":"2026-08-20T12:34:36","modified_gmt":"2026-08-20T11:34:36","slug":"cv-8","status":"publish","type":"page","link":"https:\/\/www.janinebeangallery.com\/en\/?page_id=10081","title":{"rendered":"Armando Mari\u00f1o | CV"},"content":{"rendered":"
\n
\"\"<\/figure>\n<\/div>\n\n\n

born in Santiago, Cuba<\/p>\n\n\n\n

lives and works in New York, USA<\/p>\n\n\n\n

1980-1987<\/p>\n\n\n\n

Escuela Provincial de Arte \u201eJoaquin Tejada\u201c, Santiago de Cuba, Cuba<\/p>\n\n\n\n

1987-1992<\/p>\n\n\n\n

Facultad de Educacion Artistica del Instituto Superior Pedagogico \u201eEnrique Jose Varona\u201c, Havana, Cuba<\/p>\n\n\n\n

2004-2005<\/p>\n\n\n\n

Rijksakademie van beldeende kunsten, Amsterdam, the Netherlands<\/p>\n\n\n\n

 <\/p>\n\n\n\n

residencies \/ fellowships \/ stipends<\/strong><\/p>\n\n\n\n

The Watermill Center, New York, 2016<\/p>\n\n\n\n

Artist Studio in Residence Bronx Museum 2011<\/p>\n\n\n\n

Chashama Studios, Brooklyn, New York 2011<\/p>\n\n\n\n

The Pollock\u2013Krasner Foundation Grant, New York, 2011<\/p>\n\n\n\n

The Christopher Reynolds Foundation,  New York,2010<\/p>\n\n\n\n

Mattress Factory Residence Programs, 2010<\/p>\n\n\n\n

ISCP. Brooklyn, NY,USA, 2010 \\ 2011<\/p>\n\n\n\n

Raid Project, Los Angeles California, 2009<\/p>\n\n\n\n

Dutch Ministry of Foreign Affairs, DCO\/IC, 2005<\/p>\n\n\n\n

Dutch Ministry of Foreign Affairs, DCO\/IC, 2004<\/p>\n\n\n\n

Rijksakademie van beeldende kunsten\/Dutch Ministry of Education, Culture and Science, 2004- 2005<\/p>\n\n\n\n

Fundacion Marcelino Botin 2000, Spain<\/p>\n\n\n\n

ART\/OMI Residency, Nueva York, USA, July 1999<\/p>\n\n\n\n

 <\/p>\n\n\n\n

solo exhibitions<\/strong> (selection)<\/p>\n\n\n\n

1993<\/p>\n\n\n\n

\u201eArqueologia de la Simulacion\u201c, Centro de Arte 23 y 12, Havana, Cuba<\/p>\n\n\n\n

1996<\/p>\n\n\n\n

\u201eNostra Nusquama\u201c, Galeria Espacio Estudio, Havana, Cuba
\n\u201eDes-Colon-izando el entorno\u201c, Centro Wifredo Lam, Havana, Cuba<\/p>\n\n\n\n

1997<\/p>\n\n\n\n

\u201eObra Reciente\u201c, Galeria Angel Romero, Madrid, Spain<\/p>\n\n\n\n

1998<\/p>\n\n\n\n

\u201eObra Reciente\u201c, Sala de Exposiciones Palacio de Abrantes, Salamanca, Spain<\/p>\n\n\n\n

1999<\/p>\n\n\n\n

\u201eRecent Works\u201c, Gary Nader Fine Art, Miami, Florida, USA
\n\u201eRopa Usada, Para los otros del tercer mundo\u201c, Galeria Angel Romero, Madrid, Spain<\/p>\n\n\n\n

2000<\/p>\n\n\n\n

\u201eMas Alla\u201c, Centro Wifredo Lam, Havana, Cuba
\n\u201eRecent Paintings\u201c, International Art Studio, Valjevo, Jugoslavia<\/p>\n\n\n\n

2001<\/p>\n\n\n\n

\u201eMas Alla\u201c, Museo Iberoamericano de Arte contemporaneo, (MEIAC) Badajoz, Spain
\n\u201eLa angustia de las influencias\u201c, Galeria Theredoom, Barcelona, Spain
\n\u201eIn utero\u201c, Gary Nader Fine Art, Miami, Florida, USA<\/p>\n\n\n\n

2002<\/p>\n\n\n\n

\u201eArte en las Venas\u201c, Sala Rivadavia, Fundacion de la Diputacion Provincial de Cadiz, Spain<\/p>\n\n\n\n

\u201eArte en las Venas\u201c, Museo Cruz Herrera, Spain<\/p>\n\n\n\n

\u201eLa Linea de la Concepcion\u201c, Cadiz, Spain<\/p>\n\n\n\n

\u201eFrom My Bathtub\u201c, Galeria Ray Gun, Valencia, Spain<\/span><\/span><\/span><\/p>\n\n\n\n

\u201eCon Permiso de mi Antropologo\u201c, Galeria Ad Hoc, Vigo, Spain<\/p>\n\n\n\n

2003<\/p>\n\n\n\n

\u201eEsteticamente Correcto\u201c, Fernando Pradilla Gallery, Madrid, Spain<\/p>\n\n\n\n

2004<\/p>\n\n\n\n

\u201ePaintings\u201c, Project Room Oost, Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands<\/p>\n\n\n\n

\u201eBeautiful World\u201c, Project Room Oost, Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands<\/p>\n\n\n\n

\u201eRecent Paintings\u201c, Fernando Pradilla Gallery, Madrid, Spain<\/p>\n\n\n\n

2006<\/p>\n\n\n\n

\u201eCrash\/Clash\u201c, Hof & Huyser Gallery, Amsterdam, Netherlands<\/p>\n\n\n\n

\u201eThe Night Inside of The Painter\u2019s House\u201c, Galerie Jean Brolly, Paris, France<\/p>\n\n\n\n

2007<\/p>\n\n\n\n

\u201eTervuern\u2019s Tales\u201c, Grusenmeyer Art Gallery, Deurle, Belgium<\/p>\n\n\n\n

\u201eInteriors\u201c, Fernando Pradilla Gallery, Madrid, Spain<\/p>\n\n\n\n

2009<\/p>\n\n\n\n

\u201eDrilling America\u201c, Pan American Art Projects, Miami, Florida, USA<\/p>\n\n\n\n

2012<\/p>\n\n\n\n

\u201eRecent Paintings from the Year of the Protester\u201c, 8th Floor Space, New York, NY, USA<\/p>\n\n\n\n

\u201eThe Waste Land\u201c, Thomas Jaeckel Gallery, New York, NY, USA<\/p>\n\n\n\n

2013<\/p>\n\n\n\n

\u201eUnder the Red Light\u201c, Galerie Christoffer Egelung, Copenhagen, Denmark<\/p>\n\n\n\n

Art Amsterdam, Netherlands<\/p>\n\n\n\n

2014<\/p>\n\n\n\n

\u201eRecent Paintings after the Long Winter\u201c, 532 Thomas Jaeckel Gallery, NY, USA
\n\u201ePinturas recientes\u201c, Fernando Pradilla Gallery, Madrid, Spain<\/p>\n\n\n\n

2015<\/p>\n\n\n\n

\u201eNot All Who Wander Are Lost\u201c, Galerie Christoffer Egelund, Copenhagen, Denmark<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

\u201eSweet Dreams\u201c, The Watermill Center, Artist in Residence, NY, USA
\n\u201eRecent Paintings\u201c, Coates and Scarry Gallery, London, UK<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

\u201eWatercolours\u201c, janinebeangallery, Berlin<\/p>\n\n\n\n

2018<\/p>\n\n\n\n

\u201eNew Works\u201c, Oxymore, London, UK<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

\u201eLa Selva Oscura\u201c, Faction Art Projects, New York City, USA<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

\u201eFake Landscapes\u201c, Galleri Christopher Egelund, Copenhagen, Denmark
\n\u201eStill I\u2019ll Rise\u201c, Galerie Anne de Villepoix, Paris, France<\/p>\n\n\n\n

 <\/p>\n\n\n\n

group exhibitions<\/strong> (selection)
\n1990<\/p>\n\n\n\n

\u201eEl Objeto esculturado\u201c, Centro de Desarrollo de las Artes Visuales, Havana, Cuba<\/p>\n\n\n\n

1994<\/p>\n\n\n\n

\u201eLos dados de medianoche\u201c, Galeria Espuela de Plata, Centro de Desarrollo de las Artes Visuales, Havana, Cuba
\nSalon Provincial de Dibujo de Ciudad de la Habana, Centro Provincial de Artes Plasticas y Diseno, Havana, Cuba<\/p>\n\n\n\n

1995<\/p>\n\n\n\n

Primer Salon Nacional de Arte Contemporaneo Cubano, Castillo de la Fuerza y Palacio de Bellas  Artes, Havana, Cuba<\/p>\n\n\n\n

1996<\/p>\n\n\n\n

\u201eRio Almendrales\u201c, Ni fresa ni chocolate, CENCRE, Havana, Cuba
\nTercera Bienal de Pintura del Caribe, Museo de Arte Modern, Santo Domingo, Dominican Republic<\/p>\n\n\n\n

1997<\/p>\n\n\n\n

\u201eCuatro Artistas Cubanos\u201c, Exposition Identification, Salle Allende, Universite Libre de Bruxelles, Brussels, Belgium
\nVI Bienal de La Habana, Casona del Fondo Cubano de Bienes Culturales, Havana, Cuba
\n\u201eInside\u201c, International Art Exhibition, Kassel, Germany<\/p>\n\n\n\n

1998<\/p>\n\n\n\n

\u201eHidden Art of Revolution\u201c, Contemporary Cuban Art, Toronto, Ontario, Canada
\n\u201eCaribe, exclusion, fragmentacion y paraiso\u201c, M.E.A.C. (Museo Extremeno e Iberoamericano de Arte Contemporaneo, Badajoz, Spain
\nXXXe Festival internacional de la Peinture, Chateau-Musee Grimaldi, Cagnes sur Mer, France<\/p>\n\n\n\n

1999<\/p>\n\n\n\n

International Exhibition, ART\/OMI Residency, New York, USA
\n\u201eHeterotopias\u201c, project rooms-Cambres d\u2019art, INTERART 99\u2019, Valencia, Spain
\n\u201eThe Young Ones\u201c, Gary Nader Fine Art, Miami, Florida, USA
\n\u201eParaiso Cero\u201c, Eventa 5. Contemporary Art Biennial, Uppsala, Sweden<\/p>\n\n\n\n

2002<\/p>\n\n\n\n

\u201eItinerarios, VII\u201c, Convocatoria Becas de Artes Pl\u00e1sticas Marcelino Botin, Marcelino Botin Foundation, Santander, Spain
\n\u201eDecada de los 90\u201c, The Berardo Modern Art Collection, Museo de Sintra, Portugal
\n\u201eAtravesados\u201c, Fundacion Telefonica, Madrid, Spain
\n\u201eShow y Basura\u201c, Foro Sur, Caceres, Extremadura, Spain
\n\u201eDer Global Komplex\u201c, Zentrum f\u00fcr Gegenwartskunst, Linz, Austria
\n\u201ePremio L\u2019Oreal de Arte Contemporaneo\u201c, XVIII Edition, Madrid, Spain
\n\u201eErased Border\u201c, Contemporary Fair, Project Room, Miami, Florida, USA
\n\u201eCentimetro a centimetro\u201c, Fernando Pradilla Gallery, Madrid, Spain
\n\u201eCatastrofe Minim\u201c, Museo de Nuoro, Cerdana, Italy
\n\u201eLa Coleccion\u201c, Espacio Camargo, Cantabria, Spain
\nVIII Bienal de la Habana, La Cabana, Havana, Cuba<\/p>\n\n\n\n

2004<\/p>\n\n\n\n

\u201eInside\/Outside\u201c, Contemporary Cuban Art, Charlotte and Philip Hanes Art Galllery, Wake Forest University, Florida, USA
\n\u201eCollective\u201c, Galeria METTA, Madrid, Spain
\nOpen Ateliers, Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands
\n\u201eAffirming a Legacy\u201c, art from Robert E. Holmes Collection, H.C. Taylor Gallery of the Dudley Building, North Carolina, USA<\/p>\n\n\n\n

2005<\/p>\n\n\n\n

\u201eContemporary Paintings of Latin-America\u201c, The DeVos Museum, Northern Michigan University, USA
\n\u201eMi Cuerpo, Mi Pa\u00eds\u201c, Cuban Art Today, U.V.A Art Museum, University of Virginia, Virginia, USA
\nOpen Ateliers, Rijksakademie van Beeldende Kunsten, Amsterdam, Netherlands
\n\u201eBerezdivin Collectio\u201c, Espacio 1414, Opening Exhibition, San Juan, Puerto Rico
\n\u201eWinter Show\u201c, Hof & Huyser Gallery, Amsterdam, Netherlands
\n\u201eYoung Painters\u201c, Grusenmeyer Art Gallery, Deurle, Belgium
\n\u201eNew Paintings\u201c, Hof & Huyser Gallery, Amsterdam, Netherlands
\n\u201eNew Acquisitions\u201c, The Nederlandsche Bank, Amsterdam, Netherlands<\/p>\n\n\n\n

2006<\/p>\n\n\n\n

\u201eNew Acquisition\u201c, CBK Amsterdam, Netherlands
\n\u201eLooking Back\u201c, Looking Black African-American, African and Latino Images from the Robert E. Holmes Collection, The Kansas African-American Museum, Kansas, USA
\n\u201eMore than Meet the Eyes\u201c, Perspectives from The Robert E Holmes Collection, California African American Museum, Los Angeles, California, USA<\/p>\n\n\n\n

2007<\/p>\n\n\n\n

\u201eCuban Avant-garde: Contemporary Cuban Art from the Farber Collection\u201c, Harn Museum of Art, Florida, USA
\n\u201eCuban Avant-garde: Contemporary Cuban Art from the Farber Collection\u201c, Ringling Museum, Tampa Florida, USA
\n\u201eRestos\u201c, Estudio Arteologico, Muestra tem\u00e1tica de la colecci\u00f3n permanente, Contemporary Art Museum of Puerto Rico, San Juan, Puerto Rico<\/p>\n\n\n\n

2008<\/p>\n\n\n\n

\u201eDeconstruct\u201c, Hof & Huyser Gallery, Amsterdam, Netherlands
\n\u201eCuban Avant-garde: Contemporary Cuban Art from the Farber Collection\u201c, Jordan Schnitzer Museum of Art, California, USA
\n\u201eVisiones P\u00fablicas, Pasiones Privadas\u201c, Contemporary Art Museum of Vigo, Vigo, Spain
\n\u201eSomething and Something Else\u201c, Exhibition Oce, Art Foundation in Museum Van Bommel van Dam, Venlo, Netherlands<\/p>\n\n\n\n

2009<\/p>\n\n\n\n

\u201ePeregrinatio\u201c, Arte en las Ermitas de Sagunt, Sagunt, Valencia, Spain
\n\u201eCuban Avant-garde: Contemporary Cuban Art from the Farber Collection\u201c, The Winnipeg Art Gallery, Winnipeg, Canada<\/p>\n\n\n\n

2010<\/p>\n\n\n\n

\u201eWithout Mask\u201c, Contemporary Afro-Cuban Art, Johannesburg Art Gallery, Johannesburg, South Africa
\n\u201eCuban Avant-garde: Contemporary Cuban Art from the Farber Collection\u201c, Lowe Art Museum, University of Miami, Florida, USA
\n\u201eKeloids\u201c, Centro Wifredo Lam, Havana, Cuba
\n\u201eKeloids\u201c, Mattress Factory, Pittsburg, Pennsylvania, USA
\n\u201eSinergias\u201c, Latin-American Art in Spain, MEIAC, Badajoz, Spain<\/p>\n\n\n\n

\u201eCuban Avant-garde: Contemporary Cuban Art from the Farber Collection\u201c, Katonah Art Museum, New York, USA
\nOpen Studios ISCP, Brooklyn, New York, NY, USA<\/p>\n\n\n\n

2011<\/p>\n\n\n\n

\u201eSinergias\u201c, Latin-American Art in Spain, Macuf Contemporary Art Museum Union Fenosa, Coruna, Spain
\nOpen Studios ISCP, Brooklyn New York, USA
\n\u201eKeloids\u201c, Race and Racism in the Cuban Contemporary Art, The 8th Floor, Shelly and Donald Rubin Foundation, New York, USA
\n\u201eBuy What You Love 2011\u201c, The Rema Hort Mann Foundation, Marianne Boesky Gallery, New York, NY, USA
\n\u201eThe Museo\u2019s Biennal (S) Files\u201c, Museo del Barrio, Rotunda Gallery, Brooklyn, New York, NY, USA
\n\u201eCuba Now\u201c, 21C Museum Hotel, Louisville, Kentucky, USA<\/p>\n\n\n\n

2012<\/p>\n\n\n\n

\u201eBuilding Identities\u201c, Contemporary Cuban Art from the Shelley and Donald Rubin Private Collection
\nCleveland Clinic\u2019s Art Program Arts & Medicine Institute, Ohio, USA
\n\u201eSkyline Adrift\u201c, Cuban Art and Architecture, Art Omi Sculpture Field Park, New York, USA<\/p>\n\n\n\n

2013<\/p>\n\n\n\n

\u201eFifteen\u201c, Recent Acquisitions from the Deutsche Bank Collection, USA
\n\u201eRevolutionary Island:Tales of Cuban History and Culture\u201c, Sonoma Valley Museum of Art, California, USA
\n\u201eCitizens of the World, Cuba in Queens\u201c, The Queens Museum, New York, NY, USA
\n\u201eSummer Exhibition\u201c, Galerie Christoffer Egelund, Copenhagen, Denmark
\n\u201eLenguaje de Papel\u201c, Fernando Pradilla Gallery, Madrid, Spain<\/p>\n\n\n\n

2014<\/p>\n\n\n\n

\u201ePost Picasso: Contemporary Reactions\u201c, Museu Picasso, Barcelona, Spain
\n\u201eWithout Mask\u201c, The von Christierson Collection \/ Watch Hill Foundation, Museum of Anthropology of the University of British Columbia, Vancouver, Canada
\n\u201eShifting Alterity\u201c, Otherness in our Social Landscape, Skyline Gallery, New York, NY, USA
\n\u201eGiant Among Us\u201c, Corey Helford Gallery, Los Angeles, California, USA
\n\u201eX\u2019mas 14 The Annual Group Show\u201c, Galerie Christoffer Egelund, Copenhagen, Denmark
\n\u201eLenguaje de Papel\u201c, Galeria Fernando Pradilla, Madrid, Spain<\/p>\n\n\n\n

2016<\/p>\n\n\n\n

\u201eAn Island Apart: Cuban Artists In Exile\u201c, Otterbein University, Ohio, USA
\n\u201eGestures of Faith in the Contemporary Cuban Art\u201c, The Rubin Museum, New York, NY, USA
\n\u201eRead My Lips\u201c, Castrum Peregrini, Amsterdam, Netherlands
\n\u201eBedazzled\u201c, Lehman College Art Gallery, New York, USA
\n\u201eSweet Dreams\u201c, The Watermill Center, New York, USA<\/p>\n\n\n\n

2017<\/p>\n\n\n\n

\u201eNorth by North of the Arctic\u201c, Arctic Issues, Center\/Periphery, Anchorage Museum, Alaska, USA
\n\u201eIn situ: Visiones del paisaje de las Antillas\u201c, Museo de Arte Pio Lopez Martinez Universidad de PR en Cayey, Puerto Rico
\n\u201eWithout Mask\u201c, National Museum of Art, La Havana, Cuba
\n\u201ePintura\u201c, Galeria Fernando Pradilla, Madrid, Spain
\n\u201eArtists in Purgatory\u201c, Jorge Reynardus\u2019s Collection, Kendall Art Center, Miami, Florida, USA
\n\u201eWinter Show\u201c, Galerie Christoffer Egelund, Copenhagen, Denmark<\/p>\n\n\n\n

2018<\/p>\n\n\n\n

\u201eAll That You Have Is Your Soul\u201c, Faction Art Project, New York, USA
\n\u201eTen Years After\u201c, 532 Thomas Jaeckel Gallery, New York City, USA
\n\u201eArt & Life\u201c, Art Space Ben, Seoul, South Korea
\n\u201eCastles in the Sky. Fantasy Architecture in Contemporary Art\u201c, Lehman College, New York, USA
\n\u201eOutside Cuba\u201c, Gericke + Paffrath Galerie, D\u00fcsseldorf, Germany
\n\u201eStrange Bodies\u201c, Pulse Contemporary Art Fair Solo Booth pr\u00e4sentiert von Coates and Scarry Gallery, Miami, Florida, USA<\/p>\n\n\n\n

2019<\/p>\n\n\n\n

\u201eCastles in the Sky\u201c \u2013 Fantasy Architechture in Contemporary Art, Coral Gables Museum, Miami, Florida, USA
\n\u201eFive Years\u201c, Livingstone Projects Berlin, The Hague, Netherlands<\/p>\n\n\n\n

2020<\/p>\n\n\n\n

\u201eL\u2019 Afrique Fantome\u201c, Manifesta Lyon in Zusammenarbeit mit Galerie Anne de Villepoix, Lyon, France
\n\u201eWinter Show\u201c, Galerie Christoffer Egelund, Copenhagen, Denmark
\n\u201eRegards hors-champ et paysages dans la collection Agn\u00e8s B\u201c, La Fab, Paris, France<\/p>\n\n\n\n

2021<\/p>\n\n\n\n

\u201eXMAS\u201921 \u2013 The Annual Winter Group Show\u201c, Galleri Christoffer Egelund, Copenhagen, Denmark<\/p>\n\n\n\n

2022<\/p>\n\n\n\n

\u201eWhen We See Us\u201c – A Century of Black Figuration in Painting, Zeitz MOCAA, Cape Town, South Africa
\n\u201eYou Know Who You Are\u201c, El Espacio 23, Miami, Florida, USA
\n\u201eAbya Yala: Structural Origins\u201c, The New York Latin American Art Triennal, Pace University Art Gallery, New York City, USA
\n\u201eMy Own Past \/ El Pasado Mio. Afrodescendant contributions to Cuban Art\u201c, The Ethelbert Cooper Gallery
\nof African & African American Art, Harvard Universit\u00e4t, Cambridge, Massachusetts, USA<\/p>\n\n\n\n

2023<\/p>\n\n\n\n

\u201eXMAS\u201923 \u2013 The Annual Winter Group Show, 19th Edition\u201c, Galleri Christoffer Egelund, Copenhagen, Denmark
\n\u201eCuban Dreams in America\u201c, Puente Art Collection, Miami, Florida, USA
\n\u201eSummertime \u00b423\u201c, Galleri Christoffer Egelund, Copenhagen, Denmark
\n\u201eSpring Group Exhibition 2023\u201c, Galleri Christoffer Egelund, Copenhagen, Denmark<\/p>\n\n\n\n

2026 \u201cThe Space Between\u201d, janinebeangallery, Berlin<\/p>\n\n\n\n

 <\/p>\n\n\n\n

public collections<\/strong><\/p>\n\n\n\n

Fundation H. Antananarivo, Madagascar
\nJorge Perez Collection, Miami, Florida, USA
\nAgnes B Art Collection, Paris, France
\nMuseum of Fine Arts Boston, Massachusetts, USA
\nMTA Collection, New York, USA
\nDeutsche Bank Collection, USA
\n21CMuseum, Kentucky, USA
\nShelley and Donald Rubin Private Collection, New York, USA
\nHoward Farber Collection, New York, USA
\nCentro Wifredo Lam, Havana, Cuba
\nART\/OMI Residency, New York, USA
\nASU Art Museum, Arizona, USA
\nColeccion Berardo Museo de Arte Moderna, Sintra, Portugal
\nMuseo Extremeno Iberamericano de Arte Contemporaneo (MEIAC), Badajoz, Spain
\nMarcelino Botin Foundation, Spain
\nNational Museum of Valjevo, Jugoslavia
\nEspacio C. Camargo, Kantabrien, Spain
\nDiputacion Provicial de Cadiz Sala Rivadavia, Cadiz, Spain
\nCoca Cola Foundation, Spain
\nCEGAM Centro Gallego de Arte Contemporaneo, Galizien, Spain
\nUniversity of Virginia Art Museum, USA
\nRijskakademie van Beeldende Kunsten, Amsterdam, Netherlands
\nMuseo Nacional de Bellas Artes, Havana, Cuba
\nStichting Oce Kunstbezit, Venlo, Netherlands
\nDe Nederlandsche Bank, Netherlands
\nArttoteek, The Hague, Netherlands<\/p>\n\n\n\n

 <\/p>\n\n\n\n

public projects<\/strong><\/p>\n\n\n\n

The Guardian Angel. Permanent glass mural at LIRR Brentwood Station. MTA NY<\/p>\n\n\n\n

 <\/p>\n\n\n\n

book illustration<\/strong><\/p>\n\n\n\n

Somewhere by Roberta Harris. Art by Armando Marino. Candlewick Press 2022<\/p>\n\n\n\n

 <\/p>\n\n\n\n

prizes and awards<\/strong><\/p>\n\n\n\n

Segundo Premio I Salo\u0301n Nacional de Arte contempora\u0301neo Cubano.
\nCastillo de la Fuerza y Palacio de Bellas Artes. Havana. Cuba. 1997
\nMencio\u0301n de Honor XXXe. Festival International de la Peinture. Cha\u0302 teau-Muse\u0301e Grimaldi. Cagnes sur
\nMer. Francia 1998
\nLUKAS.Visual Artist of the Year. London 2016
\nRESIDENCIES\/Fellowships\/stipends.
\nThe Watermill Center. New York .2016
\nArtist Studio in Residence Bronx Museum 2011
\nChashama Studios. Brooklyn. New York 2011
\nThe Pollock\u2013Krasner Foundation Grant. New York. 2011
\nThe Christopher Reynolds Foundation. New York. 2010
\nMattress Factory Residence Programs. 2010
\nISCP. Brooklyn. NY.USA 2010 \\ 2011
\nRaid Project. Los Angeles California.2009
\nDutch Ministry of Foreign Affairs, DCO\/IC.2005
\nDutch Ministry of Foreign Affairs, DCO\/IC.2004
\nRijksakademie van beeldende kunsten\/Dutch Ministry of Education, Culture and Science. 2004- 2005
\nFundacio\u0301n Marcelino Boti\u0301n 2000. Spain
\nART\/OMI Residency. Nueva York. USA. July 1999.<\/p>\n\n\n\n

 <\/p>\n\n\n\n

bibliography<\/strong> (selection)<\/p>\n\n\n\n

La resurreccio\u0301 n del si\u0301mbolo. Jose\u0301 Manuel Noceda. Palabras al cata\u0301 logo de la exposicio\u0301n Des-
\nColon-izando el Entorno. C. Wilfredo Lam. 1996. La Habana. Cuba.
\nCata\u0301logo de la Sexta Bienal de La Habana. Lupe A\u0301 lvarez. Mayo\/Junio 1997. La Habana. Cuba. Fuga en
\nespejo de Armando Marin\u0303o. Carino Pinos Santo. Revista Revolucio\u0301 n y Cultura No2\/97 an\u0303o36.La
\nHabana. Cuba.
\nArt exhibit provides a glimpse into Cuba. Christopher Hume. What\u2019s on? Thursday, May 15, 1997.
\nToronto. Canada\u0301 .
\nTextualidad y dialogismo en la pintura de Armando Marin\u0303o. Rufo Caballero. Revista Unio\u0301n, 29\/1997. La
\nHabana. Cuba.
\nAnalyse d\u2019une oeuvre\u201d. Monique Mirabel, Vale\u0301rie John, Mathilde Titina. Revista Arthe\u0301 me No4.
\nSeptiembre 1999, Martinica.
\nMarin\u0303o, la modernidad y la jungla. Jose\u0301 Mari\u0301n-Medina. El Cultural. 26.12.99. El Mundo. Madrid.
\nEspan\u0303a.
\nAndanzas de un negro. Fernando Castro Flores. ABC Cultural. 8 de enero de 2000. Madrid. Espan\u0303a.
\nEl Caribe una identidad de diferencias. Santiago B. Olmo. Art Nexus No31. Enero\/marzo. Miami.
\nColombia.
\nArmando Marin\u0303o\u201d. Exposiciones. Santiago B. Olmo. Revista La\u0301piz, No 160. An\u0303 o XIX. Madrid. Espan\u0303a.
\nMarcel Duchamp a propo\u0301 sito del negro. Notas introductorias al objeto muerto de risa. Armando
\nMarin\u0303o. Revista Cimal Arte Internacional No 52. 2000. Espan\u0303a
\nEl Negro (conceptual)de Armando Marin\u0303o. Denis Matos. Pagina
\nweb.www.cubaencuentro.com. 8 marzo 20001
\nArmando Marin\u0303o. Galeri\u0301a Theredoom. Luis Francisco Lo\u0301pez. Revista La\u0301piz no174. 2001.Espan\u0303 a
\nChange the Joke, Slip the Yoke. Franklin Sirmans. Catalogo de la exposicio\u0301n In u\u0301tero. \u201dGaleri\u0301a Gary
\nNader Fine Art. Agosto.2001. Gary Nader EDITION.
\nArte en las Venas. El artista o el extranjero.Una mirada que retorna. Javier Fuentes Feo.Catalogo de la
\nExposicio\u0301n Sala Rivadavia-Musep Cruz Herrera.Cadiz.Enero- Marzo.2002.Espan\u0303a.
\nArmando Marin\u0303o.Parodist of the canon. Fernado Castro Flores. Catalogue.Der Global
\nKomplex..OK.Centrum fur Gegenwartskunst.Linz Austria Jun-July.2002.
\nArmando Marino. Entrevista\/Pintura..Javier Diaz Guardiola. Blanco y Negro Cultural. El Cultural del
\nMUNDO.11,Oct.2003.pag 27. Spain.
\nInside\/ outside. Contemporary Cuban Art. David Hart.
\nExhibition catalog. Wake Forest University. 2003.
\nArmando Marino. Review. Jose Jimenez. Artnexus. No.51 Volume 2003.
\nOctava Bienal de La Habana Bienal de La Habana.
\nJulia P Heizberg. Artnexus No 52,April 2004
\nThe diffused diaspora. Dennys Matos. Magazine ARCO Contemporary Art. Number 30, winter
\n2003.Spain
\nImagen y representacion. Dennys Matos. Exhibition catalogue. Arte y Naturaleza Centro de Arte.2004.
\nSpain
\nFighting spirit. Kay Hartenstein Saatchi. Art Review.Volume LIV. March 2004.
\nThe painting\u2019s gesture. Ruben de la Nuez. Art Notes. International Art Magazine.12. 2006 Spain
\nArmando Marino. Abelardo Mena. Cuban Avant-garde: Contemporary Cuban Art from the Farber
\nCollection. Samuel P. Harm Museum Of Art, Florida. Gainesville Florida. 2007
\nEl que no tiene de Congo tiene de Carabali. Sara Cooper. Essay Published by the STATE University of
\nCalifornia Chico. 2008.
\nArmando Marino, born manipulator. Fernando Castro Flores. Keloids. Catalogue Mattress Factory.
\nPittsburgh. USA 2010.
\nArmando Marino.The romantic pesimist Donald Kuspit. Pulse Magazine 2014
\nNew York .USA .2015<\/p>\n\n\n\n

 <\/p>\n\n\n\n

 <\/p>\n\n\n\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

born in Santiago, Cuba lives and works in New York, USA 1980-1987 Escuela Provincial de Arte \u201eJoaquin Tejada\u201c, Santiago de Cuba, Cuba 1987-1992 Facultad de Educacion Artistica del Instituto Superior Pedagogico \u201eEnrique Jose Varona\u201c, Havana, Cuba 2004-2005 Rijksakademie van beldeende kunsten, Amsterdam, the Netherlands   residencies \/ fellowships \/ stipends The Watermill Center, New York, … Read more<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-10081","page","type-page","status-publish"],"yoast_head":"\nArmando Mari\u00f1o | CV - janinebeangallery<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.janinebeangallery.com\/en\/?page_id=10081\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Armando Mari\u00f1o | CV - janinebeangallery\" \/>\n<meta property=\"og:description\" content=\"born in Santiago, Cuba lives and works in New York, USA 1980-1987 Escuela Provincial de Arte \u201eJoaquin Tejada\u201c, Santiago de Cuba, Cuba 1987-1992 Facultad de Educacion Artistica del Instituto Superior Pedagogico \u201eEnrique Jose Varona\u201c, Havana, Cuba 2004-2005 Rijksakademie van beldeende kunsten, Amsterdam, the Netherlands   residencies \/ fellowships \/ stipends The Watermill Center, New York, ... 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